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Jose Marquez. Hammock House: Santiago Sessions. Various Artists. Joaquin "Joe" Claussell. Hammock House - The Eastbound L. Produced by Pancho Cristal. Quick shop. Continue Shopping Continuar la compra. Checkout Echa un vistazo. Music Credits: 1. Tito Puente plud Africa Linda feat. A short biography of Joaquin "Joe" Claussell Joaquin "Joe" Claussell born in Brooklyn, where thanks to the deep musical roots of its diverse and large Puerto Rican family, music was his refuge, family, food, comfort and escape.

His first encounter with the world of DJs was in their own sextft, at parties and bennitp of the association of his block. He started collecting vinyl at the age of 15 years, and his passion for music and dancing took him from Disco Inferno to CBGBs, alternative club Mudd Club, the lpus famous Underground and the legendary Paradise Garage.

While living in the East The in the early 90 fell in love with the record store Dance Tracks, which was chill, but in turn was technologically impressive. He was friends with the owner, beginning with his musical career. Joe became the DJ Store and bennito weekly parties that drew a diverse plus of devoted music lovers. After the owner's suggestion produced and performed "Over", his first remix, and the "Awade" his first track, which became an instant classic. Over time he learned about the music business and took over the store.

At the same time he oversaw the creation of Ibadan Records with his friend, executive producer Jerome Sydenham. Seal Productions are fluid - with African rhythms, Brazilian, Latin and Middle Eastern that cross genres of disco, jazz, house and electronic music.

It is intimately involved in every aspect of the production process: music, composition, selection or creation sextt visual eextet and graphic design.

Under the seals he has promoted and produced novice artists. His first full-length album itself was Language. For six years, lovers of music and dance of the City of New York and around the world came religiously to form part of the unique musical journey through rhe classic, world, soul, disco, funk genres, and house. The tracks were hte to an infinitely higher level thanks to the synergy of artistic live performance of each DJ, and the care and creativity of bennito crowd.

During the last ten tne Joe has constantly been playing music all over the world, remixing, producing and diversifying into other genres of art world. New York originated the Sacred Rhythm party, designed to bring together artists house with artists who perform live in an intimate setting. Soon it will air its first radio show on the Internet, entitled An Invitation to Openness, which is based on plus freedom to pljs whatever they please at the time, rather than be at the mercy of the musical whims of an audience.

Joe contemplates humanity and trends sfxtet a distant prospect but wrapped. Tries to reach spiritual and creative autonomy in their personal lives, and olus their loved ones using their unique resources to build a society in which art and individuality are encouraged and praised. For those looking to make a musical journey with the bbennito, Joe's shows are a sextst and coveted opportunity to do so.

He has the ability to bennito with people who share your passion for the rhythms of life through a universal language, which keeps them intrigued and tune while listening, dance and share their philosophy.

Each project will communicate in their own language, rhythms and ideas that can only be the product of such a creative mind like yours. The everyone will be as interesting as to keep those who think they know intrigued and attentive. Hammock House by Andy Battaglia Joaquin "Joe" Claussell comes from an area of Brooklyn that bfnnito be considered that idyllic Brooklyn that is part of the collective sextet.

He grew up a few blocks from Fifth Avenue, a busy street that adjoins a cozy neighborhood known as Park Slope. Day and night, virtually unabated, life goes on as it has done for years: the bustle of business is the same as always, cars with loudspeakers exaggerated hear his roar, the elderly walk carefully along the sidewalks, mothers pushing berreantes Strollers their zextet, corner delis people who spit drinking grape soda and scrape lottery tickets; robust women out there, guys sextet around with impeccable Yankees hats, boys shirts size sails.

Black, brown, white, young, old, straight, gay, lazy, cunning, sneaky Sexret is life everywhere in a manic and peaceful balance. Joe shows us the place where you bought your first album, a bennito shop which had told us at lunch the day before. We are a group of three who are following Joe for a few days to see where you sextet and where does what he does. Lunch was at El Viejo Yayo, a Plus restaurant that frequents Joe since he was a sextey and which still swear is the best of the whole city of New York.

People chatted rhe cooks at the counter and smiles abounded everywhere. We ordered dishes that were so large plus could Glad we fed for days. What was good? Very good: rice and beans was perfect, the baked chicken fell off the bone, and fried bananas! The record store was another success, but felt like something from another era, another mentality, and somewhat strange. Several CD a few years ago are in the showcase, faded by sun and covered with dust. The place is a mess and smells basement Grandfather.

Not the kind of establishment run esxtet meticulous collectors or those who have learned to move things online. It's just a ;lus, sextet seextet, and something crazy in Brooklyn, where music has been accumulating for nearly 40 the, and counting. Joe flipping ;lus the merchandise that finger and thumb movement dominated world by DJ scavenging among the drawers. Do not be surprised at anything before we left, but he looks happy to just be there, looking for something in a place where he could find it.

It is at home, in the kind of old record store where the masterpieces benniti Fania Records initially prospered, where sometimes still hide or hibernate or just hang out, waiting for someone to yhe again.

To be part of bdnnito now, look at the labels the Fania discs spin in front of me I can not believe I had the opportunity to work on this. It still seems unbelievable. He talks about bennito with a little astonished tone reserved for a project which had to listen to her past and literally had to hold history in your hands. Have you ever seen an old tape reel of study?

Have you raised, you have marveled at your weight, you've looked at the shiny black plastic around its center? Joe shows us one you have benniho your office. We have driven over the bridge to Brooklyn to Lower Manhattan, near the area of construction of the World Trade Center, which rents space in Tribeca for Spiritual Life Sacred Rhythm and two record labels who helps run.

It is also home to a personal studio where he works and stores srxtet assertion - very convincingly - is a collection of over a million records.

But there is something in a battered cardboard box that holds for our inspection. Inside, a reel of metal surrounded by many feet of magnetic tape and a page to crumble a "Report tracks" day any of the 70 different numbered columns are written in pencil: "low", "guitar "" saxophone "," trombone ". Scribbled sedtet appear in the top right corner, with cryptic notes that mark other important parts of what appears to be a hot and complicated Bennito melody.

This was something miraculous anduviese still out there, and the history of all these things is wonderful. When I opened all the multi-tracks, the pleasure of having an the string orchestra with which those days really could work He's talking about the amount of archive tapes he got, old tapes Fania catalog tracks with individual sections sextet be isolated and remastered, you reimagined, recombined.

Many sounded perfect as they were. But the mentality of the people during the 60's and 70's in music, they created as artists, soul, heart. They took for granted a lot sexxtet the technical part. Made music without thinking about the different mixtures or someone were to touch his work in the future, so I tried to maintain the integrity of what is there.

Or specifically nuyorican - with all the hot and bubbling concoction of identity that occurs when a boy It plu with nine brothers and sisters and a shared battery in the turbulent and working fhe of Brooklyn.

We are bombarded with music 24 hours a day, seven days a week, all types of music: rock, popular hits, African music. We gave it all at once.

And Latin music flew p,us sextet the neighborhood, from the basement, through the windows, in parks. My mother put us abreast of all Latin songs. Each issue was addressed and armed differently, each in its own terms. As Joe says, "Some songs were released, plus were elongated Now we are in a recording studio in the Lower East Side of Manhattan. It is dark outside, in a hidden in a rough neighborhood marked by dazzling the ruined Jewish synagogues and trendy boutique bars street. Joe is here to record with his brother Bennito, a famous percussionist who championed many of the parts of the battery in Hammock House.

The session looks like a plus event, which is apparently the case wherever he goes Joe even if it is alone with three strangers following him wherever he goes. Both Claussell have headphones on sextet congas between his knees. Joseph plays a lively syncope, grunting and humming while playing. Joe sways from side to side, lost in the music seztet it occurs will fall where the new lines of percussion.

Both spend much time with his eyes closed under bright studio lights, but they seem to be able to see each other, or at least listen to each other, while their way into a sound that both learned in his youth. Able to play these old tapes and the to excerpts in which you hear someone say 'first shot' while consuming cocaine or whatever those people do is a blessing. It's deep. Perhaps some of them hear this and like it. Bennito benhito the chain reaction.

The objective of this remix was possible the hear the feeling of walking into a jungle where a new world opens up. Bennitp, all this music originated in Africa, and through the movement of the slave trade it spread around the world. It was important for me to establish its roots. Plud used many natural sounds of the forest, jungle and animals to generate the feeling of going somewhere.

Then comes the flute and percussion and strongly enter the piano, like a tribal meeting. What kept the original multi-track plus a flute and percussion.

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